Image format
Hasselblad native raw capture, developed in a compatible medium-format workflow.
Explore the format
Choose a target format for your Hasselblad 3FR images.
Marked paths may need steps such as flattening, rasterization, tone mapping or animation loss.
Choose a source format to convert to Hasselblad 3FR.
Hasselblad 3FR Raw
3FR is a native Hasselblad raw capture format. It stores image data for subsequent photographic processing with camera information, rather than only a finished JPEG. It is associated with compatible Hasselblad cameras and backs; processing should follow the actual model and its supported raw workflow, not a generic assumption about medium-format files.
Hasselblad’s H6D guide distinguishes 3FR captures from FFF files produced in its processing workflow. That relationship is not just a suffix rename. Sensor precision and processing behaviour depend on the model and software; avoid assigning one universal sample depth to every 3FR.
Use the raw original for repeated photographic development when exposure interpretation and colour decisions need to remain flexible. Export JPEG for an opaque delivery image or a suitable high-precision raster for further editing. Those exports bake in processing choices and cannot recreate the original sensor data, calibration or all vendor metadata.
Raw development interprets capture values using colour calibration, white balance and a tone curve; mosaiced data also needs demosaicing. A built-in preview is already rendered and can look different from a fresh raw development. More bit depth does not recover clipped exposure or establish a ready-to-display HDR image.
Hasselblad’s H6D guide distinguishes 3FR captures from FFF files produced in its processing workflow. That relationship is not just a suffix rename. Sensor precision and processing behaviour depend on the model and software; avoid assigning one universal sample depth to every 3FR.
Raw formats evolve alongside camera sensors, recording modes and development software. These milestones connect this format family to the camera and processing workflows that use it.
Different formats, different trade-offs. Choose for the image and the workflow.
DNG provides a published container for camera raw data and calibration information. It can simplify supported raw interchange, but conversion does not guarantee that every proprietary maker note or processing feature will remain usable.
JPEG makes a compact photographic delivery file, but ordinary JPEG discards detail and has no alpha. Keep the richer source for editing and use JPEG when the receiving workflow expects an opaque photo.
TIFF provides tagged raster storage with multiple images and several sample types and compression schemes. It is a useful interchange choice for scanning and high-precision editing, but the receiving tool must support the particular TIFF variant.
PNG preserves decoded pixels losslessly and can carry alpha. It is useful for transparent graphics and screenshots; it does not preserve editable document layers or camera sensor data, and photographic files can be large.
3FR is a native Hasselblad raw capture format. It stores image data for subsequent photographic processing with camera information, rather than only a finished JPEG. It is associated with compatible Hasselblad cameras and backs; processing should follow the actual model and its supported raw workflow, not a generic assumption about medium-format files.
Hasselblad’s H6D guide distinguishes 3FR captures from FFF files produced in its processing workflow. That relationship is not just a suffix rename. Sensor precision and processing behaviour depend on the model and software; avoid assigning one universal sample depth to every 3FR.
Hasselblad documents 3FR as capture and FFF as a related processing representation. Keep their roles separate and check the software workflow; changing the extension does not perform the conversion.
Check the exact camera model and recording mode in the processor’s support list. Raw support is model-specific, even when the extension is recognised. Viewing an embedded JPEG preview does not prove the sensor data has been decoded.
Raw-to-image export develops the data: white balance, colour mapping and tone become part of the pixels. Grayscale, palette and SDR targets can discard additional information. Keep the original; converting a rendered image back into a raw container cannot reconstruct the capture.
Use the raw original for repeated photographic development when exposure interpretation and colour decisions need to remain flexible. Export JPEG for an opaque delivery image or a suitable high-precision raster for further editing. Those exports bake in processing choices and cannot recreate the original sensor data, calibration or all vendor metadata.