Kodak RAW to AVIF: conversion guide

Source · Kodak RAW
Target · AVIF

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What happens when you convert Kodak RAW to AVIF?

RAW development

Kodak RAW needs camera- and file-aware development to produce a rendered AVIF image. White balance, exposure, camera colour interpretation and, where applicable, demosaicing determine that rendering. The destination does not retain the original RAW development latitude. No development settings or camera support are implemented yet.

Transparency

The target can store an alpha channel, but converting an opaque image does not create transparent areas. Removing a background is a separate editing step.

Encoding mode

AVIF can use lossy or lossless AV1 coding. Chroma subsampling, RGB↔YUV conversion and reduced bit depth can change source values even when the AV1 coding stage is lossless. AVIF permits different encoding modes or container representations. Its format name alone does not promise lossless output, a quality setting or a size reduction. The future engine must choose a supported codec and sample representation; inspect the target’s compression notes below.

Kodak RAW

Source

Kodak RAW

Kodak Digital Camera Raw (DCR / KDC)

Compression: Depends on variantTransparency: NoMetadata: Capture metadata

A registry group for Kodak DCR and KDC raw images, with decoding requirements specific to the camera.

Explore Kodak RAW format →
AVIF

Target

AVIF

AV1 Image File Format

Compression: Lossy & losslessTransparency: YesMetadata: Exif, XMP, ICC, CICP

AV1-compressed pictures in an image container, with optional alpha, sequences and high-dynamic-range colour.

Explore AVIF format →

Is Kodak RAW → AVIF right for you?

Good choice when

  • AVIF fits your delivery use: Photo delivery & HDR images.
  • You need a developed image for a non-RAW application.
  • Your receiving application supports the required AVIF variant.
  • You can validate the destination’s sample precision and colour interpretation.
  • You need a AVIF-compatible workflow that can hold transparency added in a separate edit.

Probably not when

  • You need the original sensor data and freedom to redevelop it.
  • You need a guaranteed quality or file size before encoder settings exist.
  • You require identical samples without a defined colour and precision policy.
  • You expect automatic background removal or transparency.

Kodak RAW to AVIF conversion details

RAW development
Kodak RAW needs camera- and file-aware development to produce a rendered AVIF image. White balance, exposure, camera colour interpretation and, where applicable, demosaicing determine that rendering. The destination does not retain the original RAW development latitude. No development settings or camera support are implemented yet.
Transparency
The target can store an alpha channel, but converting an opaque image does not create transparent areas. Removing a background is a separate editing step.
Encoding mode
AVIF can use lossy or lossless AV1 coding. Chroma subsampling, RGB↔YUV conversion and reduced bit depth can change source values even when the AV1 coding stage is lossless. AVIF permits different encoding modes or container representations. Its format name alone does not promise lossless output, a quality setting or a size reduction. The future engine must choose a supported codec and sample representation; inspect the target’s compression notes below.
Sample precision & colour
Source and target sample models can differ in precision, channel layout, colour space and transfer function. Lossless compression only preserves the samples actually encoded; a precision reduction or colour conversion can already change them. The future engine defines numeric mapping, orientation and colour conversion; canonical depth facts are listed below where available.
Metadata & colour
Format support does not guarantee that an export preserves metadata or colour profiles. Retention and colour handling depend on the future converter; its engine is not implemented yet.
Compression
Kodak RAW: Depends on variant → AVIF: Lossy & lossless Kodak RAW: ExifTool and LibRaw document DCR/KDC recognition and camera support. They do not justify one global bit depth or compression claim across both extensions. Treat the registry group as navigation identity while retaining the actual file type and model for processing. AVIF: AVIF can use lossy or lossless AV1 coding. Chroma subsampling, RGB↔YUV conversion and reduced bit depth can change source values even when the AV1 coding stage is lossless.
Transparency
Kodak RAW: No → AVIF: Yes
Animation
Kodak RAW: No → AVIF: Yes
Colour depth
Kodak RAW: Camera and recording mode → AVIF: 8 / 10 / 12 bits
HDR
AVIF: Optional; colour properties
Sensor data
Kodak RAW: Raw development required
Dimensions
Pixel dimensions, page geometry, rendering resolution, resizing and orientation need explicit converter policies. The future engine has not defined them yet.
Metadata
Kodak RAW: Capture metadata → AVIF: Exif, XMP, ICC, CICP. Which fields are copied, rewritten or omitted will depend on the future engine; retention is not implemented yet.

Common questions

Will AVIF still be an editable camera RAW?

Kodak RAW needs camera- and file-aware development to produce a rendered AVIF image. White balance, exposure, camera colour interpretation and, where applicable, demosaicing determine that rendering. The destination does not retain the original RAW development latitude. No development settings or camera support are implemented yet.

Will the background become transparent?

The target can store an alpha channel, but converting an opaque image does not create transparent areas. Removing a background is a separate editing step.

Which compression mode will AVIF use?

AVIF can use lossy or lossless AV1 coding. Chroma subsampling, RGB↔YUV conversion and reduced bit depth can change source values even when the AV1 coding stage is lossless. AVIF permits different encoding modes or container representations. Its format name alone does not promise lossless output, a quality setting or a size reduction. The future engine must choose a supported codec and sample representation; inspect the target’s compression notes below.

Are bit depth and colour values guaranteed to match?

Source and target sample models can differ in precision, channel layout, colour space and transfer function. Lossless compression only preserves the samples actually encoded; a precision reduction or colour conversion can already change them. The future engine defines numeric mapping, orientation and colour conversion; canonical depth facts are listed below where available.

Will metadata and colour profiles be retained?

Kodak RAW: Capture metadata → AVIF: Exif, XMP, ICC, CICP. Which fields are copied, rewritten or omitted will depend on the future engine; retention is not implemented yet.